Road Trip: Clematis Window by Tiffany Studios at the Dr. Sylvester Willard House, Auburn, NY

My last Tiffany stop in Auburn--the Dr. Sylvester Willard House and its lovely clematis window.  A Tiffany window in its original domestic setting is pretty tough to come by, so it was nice to see this one.  


Before he was memorialized at the chapel at Union Theological Seminary (see my post on that here), Dr. Sylvester Willard was a practicing doctor in Auburn.  Working from his home on East Genesee Street, Dr. Willard welcomed patients to his apothecary through a later side entrance (1852) to the grand Greek Revival mansion (1830s/1840s).  
Don't be like me--it only occurred to me to take images of the exterior of the house as I was leaving and sitting at the stop light... You can just see the rounded addition to the house at the far right and the Tiffany window is the one that is cut off...
The Tiffany window is at the center, with an entrance at the top of each staircase on either side.  
When Willard died in 1886, it is not clear how this side entrance was used by his surviving daughters, Georgina and Caroline.  Tiffany’s work on the Willard Memorial Chapel began in 1892 and though there are no surviving papers known regarding the commission of the clematis window, the staff at the museum suggests that the window dates to around 1890, before the Chapel, but this seems a bit early to me.  I might have guessed closer to 1900 or so?   
It's hard to see in this shot, but the top left corner of the top panel is pretty severely bowed, damage that was purportedly incurred during a fire in the house. 
Clematis was frequently seen in Tiffany’s works, especially in domestic windows.  
A large clematis skylight from the Harbel house in Akron, Ohio, c. 1915.   Sold at Christie's in 1998. 
A lovely Peony and Clematis window (1900-1910)  from The Neustadt Collection of Tiffany Glass
A window with trumpet creeper, clematis, hollyhock and nasturtium, c. 1905, commissioned for a house in Irvington, NY.  Now at the Corning Museum of Glass
Tiffany used clematis in lamp design, too--this one from Christie's, December 2008.  
The window at the Willard mansion needs a bit of restoration, but it’s great to see a Tiffany window in its original domestic setting.  
There are a few cracks and small losses--pretty typical for windows like this.   
The Willard house is now the Cayuga Museum & Case Research Lab. Learn more here.  



© All text and images are copyright of Jeni Sandberg

Road Trip: Tiffany Studios Landscape Window, Westminster Presbyterian Church, Auburn, NY

Auburn is rich Tiffany territory.  After visiting the Willard Memorial Chapel, I headed over to Westminster Presbyterian Church to view their lovely landscape window.
The window dates to 1910 and was given to the church by Mrs. William H. Seward in memory of her mother, Mrs. Margaret Rebecca Standart Watson.  The window is inscribed with an excerpt from the 23rd Psalm: ‘He leadeth me beside the still waters, He maketh me to lie down in green pastures..’
Detail of the tree at the left--looks like it is plated with confetti glass behind?
The Celestial City is just visible beneath the rainbow
The window measures 12 feet high and is plated with up to four layers of glass in some spots (according to the the restorer who recently worked on the window).
There are many variations of this type of landscape window where the Tiffany vocabulary of flowers, trees, water and mountains is utilized.  The double rainbow is nice added touch and well executed--I wonder how exactly it is achieved?  Just plating, or is there something else going on?
Left, the Metropolitan Museum of Art's Magnolia and Irises window, c. 1908; right, a landscape window sold at Christie's in December 2003.  Both of these are from mausoleums and much smaller than the Westminster window.
I was so taken with the window that I neglected to take wide shots that show its location within the church.  Really, it’s front and center, smack in front of you when you walk in, right behind the altar.  Apparently, there was a time parishioners wanted something a bit less soft and naturalistic to look at during services as the window was once surrounded by heavy curtains and a large cross was put up in front of it.  Tastes change, and now the window is again a much treasured part of the church decor.
For more on Westminster Presbyterian, click here

Next:  More Tiffany in Auburn.


© All text and images are copyright of Jeni Sandberg

Road Trip: Tiffany Glass and Decorating Co.’s Willard Memorial Chapel 1892-1894

Chandelier and window from the Willard Chapel
I’ve worked a lot on Tiffany Studios in the past decade, and for the most part I have been prevented from discussing any of the pieces I come across by a code of extreme discretion.  I still can’t blab about my private clients and the pieces I handle for them, but I thought it might be fun to show some of the Tiffany I see that is out there in the world for all to enjoy.  I’m on the road a lot and I’m trying to make a more concerted effort to stop and see good stuff along the way.

Despite having lived in New York for almost 20 years, I seldom ventured much further north than Dutchess County (which is not that far).  So I had never been to Auburn, in central New York State, a bit west of Syracuse.  The town is notable for two institutions, Auburn Theological Seminary and Auburn Prison, both founded within a couple years of each other in the early 19th century.  William Seward--the US Secretary of State who negotiated the 1867 purchase of Alaska from Russia--lived in Auburn, as did Harriet Tubman, who helped free slaves via the Underground Railway.
Willard Memorial Chapel on the left
Auburn Theological Seminary was considered a progressive training ground for future members of the clergy.  During the 19th century, many men were educated here and went on to missionary work in the American West and across the world (including a number of whom went to convert the ‘savages’ in Hawaii). 

In the 1890s, the Seminary benefited from the gift of a chapel on the school grounds given by Georgina and Caroline Willard in memory of their father, Dr. Sylvester Willard.  The good doctor was both entrepreneurial and philanthropic and left his daughters with both the means and goodwill to remember him with a substantial structure.
View towards the pipe organ and lectern
Built between 1892 and 1894, the Willard Memorial Chapel was designed in a Romanesque style by architect Andrew Jackson Warner of Rochester, NY.   The interior was designed and executed by Tiffany Glass and Decorating Co. (one of the many names of Louis Comfort Tiffany’s firm before it solidified into Tiffany Studios).  Today, it remains one of the few intact Tiffany interiors, having had relatively few alterations since it was built.
View to the back of the chapel, with the Christ Sustaining Peter window and Holzer relief panel below
The 1890s was a creative and fruitful period for Tiffany Studios.  One of the men responsible for this was Jacob Holzer, a designer at Tiffany Studios from 1890 to 1896.  Holzer worked mainly in mosaic, but had a hand in all forms of decorative embellishment.  His commission list is impressive and includes the mosaics in the Chicago Public Library and Marquette Building in Chicago, the Ayer House in Boston and Princeton’s Homeric Story frieze. 
On the left, the chapel for the Columbian Exposition, now at the Morse Museum; on the right the chandelier from the Church of the Covenant in Boston.
Stylistic similarities can be seen between Holzer’s work at the Willard Chapel and two of his major commissions at the time, the chapel for the 1893 Columbian Exposition (parts of which are now at the Morse Museum in Winter Park, Florida) and the Central Congregational Church (now Church of the Covenant) in Boston.  These works all have a vaguely exotic, Byzantine feel to them and rely on lush, small-scale ornament to convey richness and visual complexity.
One of the three center chandeliers
The enormous chandeliers at the Columbian Chapel and Church of the Covenant are obviously far grander than those at the Willard Chapel, but they all share a visual vocabulary.  This same circular chandelier form was used in several Tiffany religious commissions, including First Presbyterian Church in Binghamton, NY.
Side windows
The windows at Willard are both figural and geometric.  At the back of the chapel is a window of 'Christ Sustaining Peter on the Water' apparently after a painting by English artist Frederic Shields (though I have not seen the original).  Just beneath the window is a large allegorical relief panel signed by Jacob Holzer, with mosaic work in the background and frame.
Detail of the frame around the Holzer allegorical relief
Overall, the chapel felt a bit more austere than I expected, maybe because of the large amount of blank wall surface (is that white original?).  The dark ceiling is at least in part decorated with a stenciled pattern.  I wonder what this would look like if it were cleaned (or if it has already been cleaned)?
Detail of the ceiling
The 1930s saw the decline of the Seminary and it eventually ceased operations in Auburn.  The Willard Chapel is now the only remaining building on what was the Seminary campus and it is surrounded by residences and a nearby shopping center.

You can find info on visiting the Willard Memorial Chapel here.

Next time:  more Tiffany in Auburn.


© All text and images are copyright of Jeni Sandberg

Gale Turnbull’s Coastline Dinnerware for Vernon Kilns

I’ve already declared my love of maps here--and now look what I found:  maps on plates!   The Coastline pattern by Vernon Kilns, from the late 1930s.

Vernon Kilns Coastline-- Michigan dinner plate

I’ve mentioned Gale Turnbull and Vernon Kilns before here when I talked about Don Blanding’s Lei Lani and Hawaiian Flowers patterns.   These plates date to about the same time (1936/1937) and were apparently designed by Turnbull himself.  He seems to have had a taste for the ocean, as he designed this pattern as well as the ‘Marine’ pattern, which depicted sailing ships, coastal towns and other nautical scenes.

Louisiana and Long Island

When I found these plates they were all lined up on plate stands and at first I couldn’t quite tell what they were.  And then I recognized Long Island!   The fragments of coastline are abstracted to the point where, at first glance, even the most familiar locations seem strange (especially when not in a north-south orientation!).

Two California plates--San Francisco and Los Angeles

I have seven 8 ½ inch plates (salad? lunch?) and one larger 9 ½ inch plate.  The design is hand painted (though I would guess that the lettering of the place names was a transfer).  The pattern was used on several sizes of plates and bowls as well as cups and saucers, tumblers, a carafe and other pieces.

Cape Cod

Delaware and New Jersey

There seems to be a shamefully scant amount of information on this pattern.  The book on Vernon Kilns gives a very partial list of the breakdown of what section of coastline is shown on which pieces, and a few images--but I have not found much else (one more image in California Pottery).

Detail of San Francisco

Are there pieces that cover the entire US coastline?  I have seen plates of Florida, but they were in awful condition so I didn’t buy them (which I kind of regret now). What about Maine?  The Chesapeake Bay?  Northwest Coast?  Were the American territories depicted (because you know I’d give my left leg for Hawaii!)?  Could I collect all the pieces and lay them out like a giant outline of the country?  That would make me really happy, it would be like collecting Star Wars cards and I would have to get them all.

Mark on the Michigan dinner plate--the smaller plates just say 'Coastline' and do not identify the location

I have duplicates of some plates and I will offer those in my shop.  Meanwhile, the hunt continues for more Coastline!  Feel free to be in touch through my website if you can point me in the right direction.

© All text and images are copyright of Jeni Sandberg